Directed by Alain Guiraudie, Frank spends his summer days hopelessly searching for companionship at a popular gay cruising spot on the shores of a lake in rural France. One day, he meets Michel, an attractive yet darkly mysterious man and falls blindly in love. When a death occurs, Frank and Michel become the primary suspects but they choose to ignore the dangers and instead continue to engage in their passionate and potentially lethal relationship.
Directed by Lars von Trier, The continuation of Joe’s sexually dictated life delves into the darker aspects of her adult life and what led to her being in Seligman’s care. Joe’s nymphomania has completely taken over her life and ruined her sensual pleasures, she gets a job which enables her to use her sexual experiences to break men down, as part of a shady loan repayment organization.
Directed by Lars von Trier, Joe’s erotic journey from birth to the age of 50 as told by Joe, the self-diagnosed nymphomanic, Joe. On a cold winter’s evening, the old, charming bachelor Seligman finds Joe beaten up in an alleyway. He brings her home to his flat where he tends to her wounds while asking her about her life. He listens intently as Joe, recounts the lustful story of her highly erotic life.
Directed by Larry Clark, The story focuses on Telly, a teen who has a goal to de-flower as many virgins as he can. When one of his old encounters discovers that she is H.I.V.-positive, after only one encounter with a guy, while a local girl who contracted his disease tries to save his next target from her same fate.
Directed by Nagisa Ôshima, Based on a true story, In 1936 Tokyo, Sada Abe is a former prostitute who now works as a maid in a hotel. The hotel’s owner, Kichizo Ishida molests her, and the two begin an intense affair that consists of sexual experiments and various self-indulgences. Ishida leaves his wife to pursue his affair with Sada. Sada becomes increasingly possessive and jealous of Ishida, and Ishida more eager to please her. Their mutual obsession escalates to the point where Ishida finds he is most excited by being strangled, and he is killed in this fashion.
( Due to its sexual themes and explicit scenes, this film was seized by US Customs and cut before being released.)
Directed by Pedro Almodóvar, Ignacio and Enrique, discover love, the movies and fear in a religious school at the beginning of the 60′s. Father Manolo, director of the school and its professor of literature, is witness to and part of these discoveries. The three are followed through the next few decades, their reunion marking life and death.
Directed by Pier Paolo Pasolini, The story is set in the republic of Salo, the Fascist-occupied portion of Italy in 1944. Four men of power, the Duke, the Bishop, the Magistrate, and the President (apparently Durcet), agree to marry each other’s daughters as the first step in a debauched ritual. With the aid of several collaborating young men, they kidnap eighteen young men and women (nine of each sex), and take them to a palace near Marzabotto. Accompanying them are four middle-aged prostitutes, also collaborators, whose function will be to recount erotically arousing stories for the men of power, who, in turn, will sadistically exploit their victims.
Directed by Vilgot Sjöman, A film in two parts, Yellow and Blue each have essentially the same vague outline of a plot. Lena and her boyfriend engage in lots of liberated sexual play that’s the fiction. At the same time, they are working on a documentary, which is real. In the documentary footage, they investigate Sweden’s political history, the state of its democracy, and the everyday lives of its citizens. In the Blue version, Lena journeys far into the deserted north, filming the beautiful wilderness and revealing a decidedly unmodern Sweden. Blue’s most significant departure from the first part is in this exploration of Sweden’s pastoral ideal.
( This film was seizure by many countries for explicit sex, and controversial scenes.)
Directed by Vilgot Sjöman, Lena, wants to know all she can about life and reality. She collects information on everyone and everything, storing her findings in an enormous archive. She experiments with relationships, political activism, and meditation. Meanwhile, the actors, director and crew are shown in a humorous parallel plot about the making of the film and their reactions to the story and each other.
( In 1967 this film was seizure by US Customs for explicit sex, and controversial scenes kept this film from being shown in the US.)
Directed by Catherine Breillat, A woman employs a gay man to spend four nights at her house to watch her when she’s “unwatchable”. A tale which focuses on male identity that tells the story of an apprehensive homosexual man forced to confront female sexuality from his point of view. Following a post-night club encounter, a man and a woman move to a sole location: a house in the middle of nowhere, perched on a cliff. It chronicles four nights of opposition, her against him. It offers four nights to confront the unspeakable, to explore that which must not be seen.