Directed by Alain Guiraudie, Frank spends his summer days hopelessly searching for companionship at a popular gay cruising spot on the shores of a lake in rural France. One day, he meets Michel, an attractive yet darkly mysterious man and falls blindly in love. When a death occurs, Frank and Michel become the primary suspects but they choose to ignore the dangers and instead continue to engage in their passionate and potentially lethal relationship.
Directed by Lars von Trier, The continuation of Joe’s sexually dictated life delves into the darker aspects of her adult life and what led to her being in Seligman’s care. Joe’s nymphomania has completely taken over her life and ruined her sensual pleasures, she gets a job which enables her to use her sexual experiences to break men down, as part of a shady loan repayment organization.
Directed by Lars von Trier, Joe’s erotic journey from birth to the age of 50 as told by Joe, the self-diagnosed nymphomanic, Joe. On a cold winter’s evening, the old, charming bachelor Seligman finds Joe beaten up in an alleyway. He brings her home to his flat where he tends to her wounds while asking her about her life. He listens intently as Joe, recounts the lustful story of her highly erotic life.
Directed by Larry Clark, The story focuses on Telly, a teen who has a goal to de-flower as many virgins as he can. When one of his old encounters discovers that she is H.I.V.-positive, after only one encounter with a guy, while a local girl who contracted his disease tries to save his next target from her same fate.
Directed by Nagisa Ôshima, Based on a true story, In 1936 Tokyo, Sada Abe is a former prostitute who now works as a maid in a hotel. The hotel’s owner, Kichizo Ishida molests her, and the two begin an intense affair that consists of sexual experiments and various self-indulgences. Ishida leaves his wife to pursue his affair with Sada. Sada becomes increasingly possessive and jealous of Ishida, and Ishida more eager to please her. Their mutual obsession escalates to the point where Ishida finds he is most excited by being strangled, and he is killed in this fashion.
( Due to its sexual themes and explicit scenes, this film was seized by US Customs and cut before being released.)
Directed by Pedro Almodóvar, Ignacio and Enrique, discover love, the movies and fear in a religious school at the beginning of the 60′s. Father Manolo, director of the school and its professor of literature, is witness to and part of these discoveries. The three are followed through the next few decades, their reunion marking life and death.
Directed by Pier Paolo Pasolini, The story is set in the republic of Salo, the Fascist-occupied portion of Italy in 1944. Four men of power, the Duke, the Bishop, the Magistrate, and the President (apparently Durcet), agree to marry each other’s daughters as the first step in a debauched ritual. With the aid of several collaborating young men, they kidnap eighteen young men and women (nine of each sex), and take them to a palace near Marzabotto. Accompanying them are four middle-aged prostitutes, also collaborators, whose function will be to recount erotically arousing stories for the men of power, who, in turn, will sadistically exploit their victims.
Directed by Vilgot Sjöman, A film in two parts, Yellow and Blue each have essentially the same vague outline of a plot. Lena and her boyfriend engage in lots of liberated sexual play that’s the fiction. At the same time, they are working on a documentary, which is real. In the documentary footage, they investigate Sweden’s political history, the state of its democracy, and the everyday lives of its citizens. In the Blue version, Lena journeys far into the deserted north, filming the beautiful wilderness and revealing a decidedly unmodern Sweden. Blue’s most significant departure from the first part is in this exploration of Sweden’s pastoral ideal.
( This film was seizure by many countries for explicit sex, and controversial scenes.)
Directed by Vilgot Sjöman, Lena, wants to know all she can about life and reality. She collects information on everyone and everything, storing her findings in an enormous archive. She experiments with relationships, political activism, and meditation. Meanwhile, the actors, director and crew are shown in a humorous parallel plot about the making of the film and their reactions to the story and each other.
( In 1967 this film was seizure by US Customs for explicit sex, and controversial scenes kept this film from being shown in the US.)
Directed by Catherine Breillat, A woman employs a gay man to spend four nights at her house to watch her when she’s “unwatchable”. A tale which focuses on male identity that tells the story of an apprehensive homosexual man forced to confront female sexuality from his point of view. Following a post-night club encounter, a man and a woman move to a sole location: a house in the middle of nowhere, perched on a cliff. It chronicles four nights of opposition, her against him. It offers four nights to confront the unspeakable, to explore that which must not be seen.
Directed by Bruce La Bruce, Inspired by real-life ’70s radical group the Baader-Meinhof gang. East German dominatrix Gudrun leads a revolutionary gang of her own in Berlin. She has her men kidnap the son of a rich businessman in order to gain publicity. Claiming that heterosexuality is a social norm created to keep the people down, she forces her male minions to have sex with each other.
Directed by Laurent Bouhnik, In a social context deteriorated by a countrywide economic crisis, the life of several people will be turned upside down after they meet Cecile, a character who symbolizes desire. The young inhabitants were aimless and uncertain about their future employment prospects, while they drifted about searching for love and romance. Cecile had just suffered the death of her father in a hospital. With a lustful desire for sex, she found peace from her underlying sadness through random sexual encounters with both male and female. Part of the story followed the exploits of Alice, who lived at home with her repressively conservative parents, and kept secret her non-committal boyfriend Matt, a local garage mechanic facing tough times.
Directed by Larry Clark and Edward Lachman, Ken focuses on several teenagers and their tormented home lives. Shawn seems to be the most conventional. Tate is brimming with psychotic rage; Claude is habitually harassed by his brutish father and coddled, rather uncomfortably, by his enormously pregnant mother. Peaches looks after her devoutly religious father, but yearns for freedom. They’re all rather tight, or so they claim. But they spend precious little time together and none of them seems to know much about one another’s family lives.
Directed by Roberto Garzelli, A shared interest in human anatomy brings a female drawing student and a male radiologist together in an intense affair that moves toward obsession and danger as the couple explore each other’s “interior” secrets — both erotic and scientific and lead them to a dangerous journey with no limits…
Directed by Philippe Diaz, After jumping bail to avoid a lengthy prison term for white-collar crime, former banker Bill hides out in a Los Angeles dive, where he falls for the charms of lusty undocumented immigrant Angela. Now, between enthusiastic lovemaking sessions, Angela helps Bill see how his financial double-dealing has affected the world beyond America’s borders. this drama that contains erotic adult material.
Directed by Gaspar Noé, This French thriller chronicles the unspeakable horror of rape and the aftermath, Events over the course of one traumatic night in Paris unfold in reverse-chronological order as the beautiful Alex is brutally raped and beaten by a stranger in the underpass. Her boyfriend and ex-lover take matters into their own hands by hiring two criminals to help them find the rapist so that they can exact revenge. A simultaneously beautiful and terrible examination of the destructive nature of cause and effect, and how time destroys everything.
Directed by Lars von Trier, A couple lose their young son the grieving couple retreats to their cabin in the woods, hoping to repair their broken hearts and troubled marriage. But nature takes its course and things go from bad to worse. To confront her fears they go to stay at their remote cabin in the woods, “Eden”, where something untold happened the previous summer. Told in four chapters with a prologue and epilogue, the film details acts of lustful cruelty as the man and woman unfold the darker side of nature outside and within.
Directed by Patrice Chéreau, She comes to his London pad late every Wednesday afternoon, only for sex, while her taxi waits outside. They don’t speak but something must pass between them because they stand together and lie down next to the table without a word. The following week at the same time, she is at the door, they immediately undress. He is no longer in the house but goes straight down to the basement that he cannot afford to furnish, where he has strewn a few blankets and quilts over the carpet. A room where everything is permitted except, apparently, clarity. If sex is how you meet and get to know people, what does he know of her? A failed London musician meets once a week with a woman for a series of intense sexual encounters to get away from the realities of life. But when he begins inquiring about her, it puts their relationship at risk.
Directed by Vincent Gallo, It’s the story of one man. His name’s Bud Clay, and he races motorcycles. He rides in the 250cc Formula II class of road racing. Around and around he goes, repeating laps over and over until the race is over. The story begins with Bud racing in New Hampshire. His next race is in California in five days, and so his cross-country journey begins. Every day, Bud is haunted by the same memories of the last time he saw his true love. He will do anything to make those memories disappear, and every day he tries to find a new love, making outrageous requests of women to come with him on his trip and then leaving them behind after they’ve agreed. He can’t replace Daisy, the only woman he’s ever loved. Also explicit and controversial scene of unsimulated Sex.
Directed by Michael Winterbottom, In London, England, love blooms between an American college student, named Lisa, and a British glaciologist, named Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall–London’s Brixton Academy. They are in bed at night’s end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.
Directed by Catherine Breillat, Although deeply in love with her boyfriend – and indeed sleeping in the same bed with him – a schoolteacher cannot handle the almost complete lack of intimacy he will allow. Increasingly frustrated, she gradually finds her sexual appetites leading her into ever more risky situations, This sexually-graphic drama import from daring French filmmaker Catherine Breillat.
Writer/director John Cameron Mitchell (director of the cult classic Hedwig and the Angry Inch (2001)) brought his second arthouse feature film this “most explicit” or sexually-graphic film ever screened; it also had the widest release of any film showing unsimulated sex, although it was encased within a non-pornographic dramatic narrative about emotionally-challenged post 9/11 New Yorkers searching for sexual happiness and self-discovery; this highly controversial film – named for the underground sex salon (“for the gifted and challenged”) in the unrated film, contained unsimulated, hardcore images of sexual intercourse (gay and straight), masturbation, a dominatrix sex whipping, an orgy scene and a gay menage a trois scene (with oral sex).
This daring and scandalous, unrated art-house import about heartless and irrational female sexual rage by two hardened and randy females was the first collaboration between French film-maker Virginie Despentes and former porn actress Coralie Trinh Thi. The two main characters were lower class French ‘bad girls’ named Manu (Raffaela Anderson) and prostitute Nadine (Karine Bach/Karen Lancaume), who were portrayed by French adult film stars. After being pushed around by losers and low-lifes in their seedy, marginal neighborhood, they decided to engage in a shooting spree and sexual romp across France. The French film was a very violent, sensationalist, bold, graphic and hard-core sex.